Culture Ark · D-0166 · Music · Browse the gallery · The full 2,000-pick list
Generated interpretation, not documentary evidence. Two imagined pairs of black dance shoes on a blue-lit rehearsal stage; not actual Riverdance footwear, a show set or a technical shoe reference.
Credit: AI-generated for Culture Ark using OpenAI image_gen Reuse/status: AI-generated output; no exclusive ownership or guaranteed copyrightability claimed. Underlying works, marks and cultural permissions remain separate. Two imagined pairs of black dance shoes on a blue-lit rehearsal stage; not actual Riverdance footwear, a show set or a technical shoe reference. The company's retrospective is an involved promotional source; audience totals and transformative superlatives are not independently endorsed here. Riverdance is a specific production, not the entirety of Irish dance. The generic shoes are not verified Riverdance props or exact specialist equipment. The source page provides an official route to related performance material; no full video was downloaded.
From the original list
The following original text is preserved, including its selection/vote claims. Preservation is not independent verification of every assertion.
Why: A Eurovision interval act that turned Irish step dancing into a global show.
What to preserve: The 1994 performance, the show
Year and origin: 1994 · Ireland
Vote: 4/9 (historian 1 · future kid 2 · curator 1)
Learn more: Riverdance on Wikipedia
Supplemental context
Riverdance began as a short television interval performance before becoming a longer stage show. Its official retrospective credits producer Moya Doherty, composer Bill Whelan and choreographers Michael Flatley, Jean Butler and Mavis Ascott for the 1994 act, then describes expansion with director John McColgan. Keeping those stages separate helps explain how broadcast exposure, choreography, music and theatrical production combined. Future readers could compare the original seven-minute performance with later versions to study how a cultural form is adapted for different durations, venues and audiences rather than assuming every Riverdance is identical.
Creator/community: Moya Doherty, producer; Bill Whelan, composer; Michael Flatley, Jean Butler and Mavis Ascott, credited choreographers; John McColgan and subsequent show teams Place/era: Dublin Eurovision interval, 30 April 1994; subsequent expanded stage productions
Context and limits
The company's retrospective is an involved promotional source; audience totals and transformative superlatives are not independently endorsed here. Riverdance is a specific production, not the entirety of Irish dance. The generic shoes are not verified Riverdance props or exact specialist equipment. The source page provides an official route to related performance material; no full video was downloaded.
Where to learn more
- https://apiarybee.com/community/reading/biggie-nu-series-008-noahs-ark-set-d-culture-2000
- https://riverdance.com/blog/2019/04/29/the-story-behind-the-1994-eurovision-interval-act/
Apiary library | Original Culture Ark article
Public ID and individual routes: pending publisher allocation. Internal source ID: D-0166
Part of the Culture Ark: 2,000 things people should still be able to see in 2,000 years, picked by AI research teams. This page keeps the original list entry for D-0166 word for word and adds context. Browse the gallery. The Culture Ark is an Artificial Mind Hive (AMH) project. AMH is owned by Austin Little.
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